Of Leda and “The Lost Daughter”
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All of Us Are Dead: Mediocre by Comparison, Enthralling Regardless
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N.H.K. ni Youkoso! A Disorienting Dive into Troubled Minds
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Cinderella: Ella Finds Her Ambition, Much to Everyone Else’s Boredom
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Why, Srijit? WHY?
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Why ‘Black Widow’ Was Not Worth the Wait
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Netflix’s Castlevania — Finally, A Worthy Adaptation
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Mohanagar: Dark, but Not Distant
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Fragments of Riversong: Brilliantly Penned-Down
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Remembrance: Dads in the Park’s Newest Pop Punk Anthem
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Revisiting a Lost Masterpiece: Osamu Dazai’s “No Longer Human”
D I S C U S S I O N – J A P A N E S E L I…
“Boi Er Pata Theke”: Gonje Fereshta’s New Political Commentary Has Everyone Grooving
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MegaloBox: The Art of Using Tropes
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The Woman in the Window: Another Shallow Netflix Thriller
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Why “A Silent Voice” isn’t a Masterpiece
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Wrath of Man: Unsatisfactory and Underwhelming
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Rutherford Falls: A Potential Cultural Artistry with an Unsatisfactory Kick-off
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Yasuke: A Promising Premise, Drained of its Essence
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